Stephen Hinds is Professor of Classics at the University of Washington, Seattle. He is the author of The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse (Cambridge 1987) and Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Cambridge 1998). With Denis Feeney, he co-founded and co-edited the Cambridge book series Roman Literature and its Contexts (13 volumes, with the final title published in 2016). Among his most recent articles are 'The Self-conscious Cento' (2014), 'Return to Enna: Ovid and Ovidianism in Claudian's De Raptu Proserpinae' (2016) and 'Pastoral and its Futures: Reading like (a) Mantuan'; details in the pdf CV linked to the research tab. A project in progress, with the working title Poetry across Languages: Studies in Transliteral and Transcultural Latin, in antiquity and since, involves exploration of the cross-linguistic and intercultural relations of Latin literature, both in antiquity and between antiquity and (early) modernity. More longstanding commitments include a Cambridge ‘green and yellow’ commentary on Ovid, Tristia 1. Stephen's page on academia.edu offers access to some work in progress, along with a few less readily accessible items among his recent publications.
Daniel A. Conner. Mille simul leti facies: The Allusive Battlefield of Punica 4. Diss., 2018
Adviser: Stephen E. Hinds
- Stephen E. Hinds, 'Return to Enna: Ovid and Ovidianism in Claudian's De Raptu Proserpinae' in L. Fulkerson and T. Stover, eds., Repeat Performances: Ovidian Repetition and the Metamorphoses, U. Wisconsin P. 2016, 249-78
- Stephen E. Hinds. "The self-conscious cento." Chapter in Decadence: 'Decline and Fall' or 'Other Antiquity.' Heidelberg: Winter: 2014. 171-97.
- Stephen E. Hinds. "Displacing Persephone: Epic between Worlds." UCL Housman Lecture (limited-circulation pamphlet). University College London, Dept of Greek and Latin: 2013.
- Stephen E. Hinds. "Claudianism in the De Raptu Proserpinae." Generic Interfaces in Latin Literature, eds. T.D. Papanghelis, S.J. Harrison, S. Frangoulidis. Berlin: De Gruyter, 2013. 169-92.
- Stephen E. Hinds. "Black-Sea Latin, Du Bellay, and the Barbarian Turn: Tristia, Regrets, Translations." in J. Ingleheart, ed., Two Thousand Years of Solitude: Exile after Ovid. Oxford: OUP: 2011. 59-83.
- Stephen E. Hinds. "Seneca’s Ovidian Loci." Studi Italiani di Filologia Classica, quarta serie 9. 2011. 5-63.
- Stephen E. Hinds. "Between Formalism and Historicism." in A. Barchiesi and W. Scheidel, eds., The Oxford Handbook of Roman Studies. Oxford: OUP: 2010. 369-85.
- Stephen E. Hinds. "Martial's Ovid/Ovid's Martial." Journal of Roman Studies 97 (2007): 113-54.
- Stephen E. Hinds. "Dislocations of Ovidian Time." in J.P. Schwindt, ed., La représentation du temps dans la poésie augustéenne / Zur Poetik der Zeit in augusteischer Dichtung. Heidelberg: Winter: 2005. 203-30.
- Stephen E. Hinds. "Landscape with Figures: Aesthetics of Place in the Metamorphoses and its Tradition." in P. Hardie, ed., The Cambridge Companion to Ovid. Cambridge: CUP, 2002. 122-49.
- Stephen E. Hinds. Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. Cambridge: CUP, 1998.
- Stephen E. Hinds. The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse. Cambridge: CUP, 1987.
- Commentary on Tristia 1, Ovid's first book of poetry from exile, under contract with Cambridge U.P. in the series Cambridge Greek and Latin Classics.
- Book-length exploration of the cross-linguistic and intercultural relations of Latin literature, both in antiquity and between antiquity and (early) modernity. I delivered an early report on the project on November 8-13 2013 as the J.H.Gray Lectures in the Faculty of Classics, Cambridge University, England. In 2014-15 my research on the project is funded by a Fellowship from the National Endowment for the Humanites.
Research Advised: Graduate Dissertations
- Daniel A. Conner. Mille simul leti facies: The Allusive Battlefield of Punica 4. Diss., 2018
- Alberto Requejo. Columella's Georgics: Form, Method, Intertextuality, Ideology. Diss., 2017
- Matthew Gorey. Atomism in the Aeneid: Physics, Politics, and Cosmological Disorder. Diss., 2017.
- Adriana M. Vazquez. Vates and Initiates: Augustan Poetic Manipulation of Greek Mystery Cult. Diss., 2017.
- Joshua J. Hartman. Allusion and Cultural Memory in Late Antiquity: Ausonius, Prudentius, and Claudian. Diss., 2016.
- Bridget Langley. Written on Running Water: Ovidian Poetics in the Roman Waterscape. Diss., 2016.
- Colin Shelton. Semantics and the Structure of Latin Etymological Wordplay. Diss., 2011.
- Erika J. Nesholm. Rhetoric and Epistolary Exchange in Ovid's Heroides 16-21. Diss., 2005.
- Ethan T. Adams. Gods and Humans in Ovid's Metamorphoses : Constructions of Identity and the Politics of Status. Diss., 2003.
- Christopher M. Chinn. Statius and the Discourse of Ekphrasis. Diss., 2002.
- Daniel Curley. Metatheater: Heroines and Ephebes in Ovid's Metamorphoses. Diss., 1999
- Braden Mechley. Reading (with) the Animals: Lucretius' Creatures and his Poetic Program. Diss., 1998 (co-chair)
Research Advised: Undergraduate Senior Essays
- In and Out of Latin: Diptych and Virtual Diptych in Marvell, Milton, and Others. Sponsored by CMEMS, Graduate Research Cluster in Classics, Medieval and Early Modern Studies of the Simpson Humanities Center - October 18, 2016 - 4:30pm
- Til death do us part: The enduring appeal of the Orpheus & Eurydice Legend - May 17, 2016 - 7:00pm
- Marvell's Latin and Wordsworth's Greek: literature and literalism in the classical tradition - February 25, 2014 - 7:00pm